Next I got out my #00 script liner brush and made little hairs on the raccoons. I used a variety of colors in the gray area and began with burnt umber in the areas of fur that would become black. Burnt Umber with Black gives a nice rich dark. (In china painting, they have a color called "brown for black." I used the liner strokes not only to build color, but also to build texture.
After completing a layer with the lines I often washed over either the entire area or parts of it. I used these washes both to build color and to add shadows and build form.
As I was painting them, I noticed that my technique feels a lot like drawing with a brush - almost like drawing in pen and ink but in color.
Mostly I used transparent soft body acrylics, but the wuite opaque gouach came in handy in several places, notably the highlights in the eyes and the whiskers.
After I was done with the raccoons I masked them out with frisket so that I could paint the background more easily. After beginning the background with transparent color splotches and criss-crossing branches, I finished with gouache forthe leaves and berries. For the final touches, I removed the mask then added the branch in front of the forward raccoon's arm.