My third Oil Painting

My three oil paintings are getting smaller and smaller - this one is 8" x 8".

Lately I've been going through my old "Birder's World" magazines, cutting and saving the photos that I really like and throwing the rest away.  It's a way of reducing the volume of old magazines that I've been holding on to.

As I go through those old magazines I realize that I have whole lifetimes' worth of source materials there at my fingertips.  I found so many of the photos inspirational, but I especially liked a series of three different kinds of swallows.  I have a sentimental attachment to them.

There was a pair of barn swallows that used to nest on the stucco wall outside of our family room every year and they were a joy to watch.

None of the three swallow photos I can across were barn swallows, but this little cliff swallow has very similar coloration.

At our last Placerville Arts Association meeting, Victoria Brooks, who is a wonderful oil painter whose subjects are most often children, demonstrated for us.  It was so timely for me as I am just beginning this medium.  I took note of and liked many of the things she said, and I'm following her method in several ways - but more about that next time.

Back to Needle Felting

It's been quite a while since I've done any needle felting and I miss it.  So I've decided to make a little fox and dress her in a nice costume of some sort.  Fortunately, I've saved the diagrams for the armatures from my past needle felting ventures, so it will be an easy start.

At this point, I've completed the armature and the core wool.  Her legs don't have any core wool because they're so skinny - just the blackish-brown that will be the final color.

All the while I've been working on her I've been contemplating how to dress her.  My first thought was a Victorian scullery maid.  But I think their dresses were floor-length and I hate to completely cover her shapely legs!  So, that's one idea and I don't know whether I'll end up going with it or not.  Just have to wait and see what she has to say!

More on Boson

I've worked more on Boson's portrait.  My sister critiqued the painting-in-progress and suggested that the eyes didn't match.  I have tried to correct that but see now that I haven't quite succeeded.  I worked on his right eye but see now that I need to do more on his left eye also.  The slants don't match.

I can also see that I need to work on the lower chest.  And the fringe of white hair over they gray looks too rough.

My sisteer also suggested that a background reminiscent of the old Wuthering Heights movie would be appropriate for this "Heathclissesque" portrait.  So, I've tried to achieve that.

I'm contemplating a lightning bolt.  It's a bit corny and perhaps over-dramatic.  But that's the kind of thing I like.

Boson in his Prime

Boson is one of my beloved cats who is now in old age and suffering from a variety of maladies.  I don't know which he considers most burdensome, but the one that I feel worst about on his account is the blindness that has come over him recently.  When I ran across a photo I had taken of him in his prime, painting a portrait from it seemed like the obvious thing to do.

By the way, "boson" is the name of two of the many kinds of sub-atomic particles.  The boson comes in two varieties, "strong" and "weak."  Bosie is named after the strong boson, and I often call him "Boson the Brave."  He has always been a good friend to me and the other cats as well as a care-giver when circumstances warranted it.

I forgot to take a photo of the painting after the first stage, but there wasn't much to it - just blocking in the basic colors.  By the way, this is oil (part of the October Challenge) on an 8" x 10" primed stretched canvas.

Before I began with the oils, I under-coated with acrylic - mauve for the background and yellow ochre for the cat - then transferred my drawing.  I chose mauve for the background because I thought I saw purple in Bosie's gray fur.  I tried to mix a gray of purple and yellow for the first oil layer, but it didn't work very well.

This photo is after the second painting session.  Here my grays are mixtures of Van Dyke Brown, French Ultramarine, and Titanium White.  You may notice yellowish lines between some of the main blocks of color.  During the first painting session, I kept my graphite lines by painting up to, but not over them, leaving about a 1/16" channel of the acrylic background color showing.  I didn't want to overlap the oil colors because I didn't want to blend the colors.  Later, I'll (hopefully) paint tiny hairs across the color edges.   

The Ultimate Zeke

Yes, my portrait of the ultimate great cat, Zeke, is now finished.  I did what I had planned - added shadows and whiskers - and I declare it done!  I'm satisfied with my first oil painting.

But a few words about Zeke.  He is the sweetest, most innocent cat.  He and the late, beloved Starbuck were brothers.  Starbuck was all black, but the two of them shared the little goatees - so darn cute.  Perhaps it's time for a portrait of Starbuck...

Penultimate Zeke

 

Yes, as I reckon it, today's painting session was the next to last for Zeke's oil portrait.

 

The things I did were minor but, I hope, important.  The most noticeable is that I added shadows underneath the edges of the blanket as well as the cat's legs and tail.  I also added more color to the bit of blanket showing between the belly and tail and just generally did more fiddling around with the fur.

 

Now I have to let it dry because the next - and probably last - thing I want to do is add some glazes then paint in the whiskers.  Hopefully tomorrow - if it's dry enough.



Continuing on Zeke's Portrait

I've continued to work on the portrait, feeling my way along with the oil paints.

At least to me, they are vey different from either acrylics or watercolor in that it seems impossible not to blend them as you paint. With acrylics and watercolor I work in layers and rarely mix colors.  Instead, I tend to stick to the transparent colors and get the variations by laying them over each other.  The main exception is a shadow color which I mix from Ultramarine Blue and either Burnt Umber or Burnt Sienna.

I've watched many oil painting demonstrations and the thing that always seemed like such a pain was mixing all the colors.  But I found myself doing that without even much thinking about it.  I'm enjoying it.

I can see quite a bit more for me to do in this painting, but my sister said she thinks it's very close to being finished.  So I guess in my next painting session I'll limit myself to the changes and additions that I think are absolutely necessary and then reassess.